Plassen Cultural Centre \ 3XN

• October 2, 2012

3XN recently has completed the Plassen Cultural Centre in Norway.

The Norwegian city of Molde has just 25,000 inhabitants, but every July the biggest stars of jazz and about 100,000 jazz enthusiasts flock to the town’s world famous international jazz festival. In designing the city’s new cultural center, the challenge faced by 3XN was to create a building that was flexible and robust enough to provide a framework for cultural life on both scales.

3XN c adammork 600x550 Plassen Cultural Centre \ 3XN

image courtesy 3XN Architects | Photo by Adam M¢rk

3XN c adammork6 600x446 Plassen Cultural Centre \ 3XN

image courtesy 3XN Architects | Photo by Adam M¢rk

There must be room for celebration in this building, both inside, on top of it and around it. And it must be able to withstand being invaded by happy people throughout the year – year after year.

Jan Ammundsen, Head of Competition and Partner of 3XN

Located in the city center and overlooking both the fjord and the mountains, the ‘Plassen’ cultural center is an obvious meeting point. With an optimal use of every square meter, 3XN has created a building that can function both when a hundred and 100,000 people gather for concerts, festivals or theater.

3XN c adammork3 600x400 Plassen Cultural Centre \ 3XN

image courtesy 3XN Architects | Photo by Adam M¢rk

The architectural solution is a structure where almost all surfaces and spaces have more than one function. Together with the building’s roof, an existing staircase next to the building constitute a total of three outdoor amphitheatres that collectively accommodate several thousand spectators. During the day the roof offers a café with outdoor seating, a recreational area with splendid views and exhibition space for the building’s gallery; while the staircase on the side of the building is an essential link between the city’s upper and lower districts.

3XN c adammork2 600x916 Plassen Cultural Centre \ 3XN

image courtesy 3XN Architects | Photo by Adam M¢rk

Plassen is a compact and chaste construction, but by giving the shape a number of breaches, we have created a diversity in its expression, which means that it is flexible and roomy, without seeming very big.

Jan Ammundsen

 

The same bright granite is used on all exterior surfaces and gives the building a bright monochrome expression that in the evening is contrasted by a warm red light coming from the heart of the building – the concert hall – around which other features, such as a library, café, exhibition space and performance areas are distributed. The warm color scheme of the interior combined with the solid hardwood floors and plenty of natural light result in a friendly and informal environment, which together with the many entrances make the building seem inviting and accessible to all.

3XN c adammork5 600x541 Plassen Cultural Centre \ 3XN

image courtesy 3XN Architects | Photo by Adam M¢rk

3XN c adammork4 600x608 Plassen Cultural Centre \ 3XN

image courtesy 3XN Architects | Photo by Adam M¢rk

It is a building that solves many challenges, and that gives us something we’ve missed for a long time. First, it makes it possible to offer audiences and artists a much better experience both in terms of actual concert halls, but also because of the outdoor performance areas that have a unique view of the fjord, the city and the mountains. Secondly, the building connects the city’s two districts, creating a social hub for Molde.

Jan Ole Otnæs, head of the jazz festival

+ Project facts

Architect3XN
Project type: Cultural Building
Functions: theater, concert hall, cafe, gallery, library, exhibition space
Client: Molde Kulturbyg AB
Construction Period: 2009 – 2012
Inauguration: July 2012
Size: 5,800 m2
Price: 187 million Norwegian kroner
Contractor: Brødrende Røsand AS
Engineer: Norconsult AS
Interior Designer: 3XN
Landscape: Molde Municipality

Tags: , , , ,

Category: Architecture, Culture

Comments (0)

Trackback URL | Comments RSS Feed

There are no comments yet. Why not be the first to speak your mind.

Comments are closed.